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Photo by Beverly Poppe |
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Matt Goss
Where: Caesars Palace
Cost: $40 and up
When: 10 p.m. Fri.-Sat.
Info: (800) 745-300
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There was a time in the not-too-distant past when the term "Gossy" meant
nothing in Las Vegas. But today it reflects a certain distinctive, Old Vegas
disposition. An inherent confident, cocksure swagger once exuded by the Rat
Pack and today embraced by former Bros boy band member Matt Goss.
As his fans will tell you, or more likely scream at you, the British
vocalist is simply Goss-tastic.
Energetically styling himself in the manner of Frank, Sammy and
Dean, Goss has set up at a similarly storied iconic Las Vegas
treasure – Caesars Palace. Beginning March 12, Goss can be
seen at the newly renovated Cleopatra's Barge lounge – now
known as The Gossy Room at Cleopatra's Barge at Caesars
Palace – in a show officially titled Singing Sensation Matt Goss
Live From Caesars Palace Produced by Robin Antin.
For those uninitiated, Antin
is the creator of the sultry
singing/dancing act The
Pussycat Dolls, and Antin's
influence in the production
is felt in the shapely forms
of The Dirty Virgins dance
troupe, which gyrates to
Goss' covers of such familiar
Las Vegas-tinged classics as
"Luck Be a Lady" and "I've
Got the World on a String."
But Goss, who performed
for several months at The
Lounge at the Palms, isn't
satisfied by singing the
standards made famous in such Vegas venues as the old Sands'
Copa Room, Casbar Lounge at Sahara and even the Circus
Maximus Showroom at Caesars (since demolished to make way
for The Colosseum). He and his snare-tight, nine-piece backing
band uncork such unexpected gems as a powerhouse version of
the Eagles' "Hotel California."
To make the move to Caesars, Cleopatra's Barge is being given
a renovation to expand seating to 165. By spring it will be 250.
The Barge features one of the city's more popular photo ops,
the Egyptian-themed female stretching from the hull of the fake
watercraft and above the walkway to the casino.
"We consider it good luck to touch her," Caesars Palace President
Gary Selesner said in January, as Goss' residency was
announced. The figure, which needs to be repainted monthly for
all that touching, remains intact, but the carpet is being torn out
and new lighting and sound systems are being installed.
Consider the Cleopatra's Barge engagement a rare, and even
short-term, chance to see Goss in such close quarters. As he
said during his official unveiling in January, which featured
a five-song performance adjacent to the famed Caesars
fountains, Goss has far Gossier objectives than performing at a
lounge for the rest of his career.
He's not ruling out larger venues, including arenas.
"(Frank Sinatra) did that his whole career," Goss said. "This
show can play a lot bigger. I do understand what it's like to play
in front of thousands of people, and I'd love to play The Colosseum
on New Year's Eve, something like that." But for now Goss
is barge-bound, the wind strong at his back.
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